Where Art and Archaeology Converge
About me
My name is Laetitia — Elaïa is my nickname, which means "swallow" in Basque, a nod to my roots in the Basque Country. My actual surname is harder to pronounce, but it fittingly means "one who travels the world."
I hold a Master's degree in Archaeology and spent over a decade working in the field, across the Middle East, Central Asia, Africa, and North America. Along the way, my passion for drawing took over — I trained myself, learning directly alongside archaeologists on excavation sites, and gradually turned scientific illustration into my main craft.
A Journey Rooted in Adventure
Fieldwork rarely goes as planned — and that's part of what I love about it. Over the years, it has brought me face to face with a bear, a flight over the North Pole, a night watching the northern lights, an invitation to a traditional Tajik wedding, and a swim in bioluminescent waters. These moments, as much as the archaeological sites themselves, have shaped how I see the world — and how I draw it.
A passion for drawing
I was captivated by drawing from an early age. At nine, I took my first lessons in the old city center of Bayonne — I still remember the scent of tea and oil pastels, the creaking wooden floor, and the jazz music my teacher played in the background. Even then, I dreamed of having a light-filled artist's studio somewhere in the heights of Paris.
Combining Archaeology and Art
I initially pursued a career in archaeology, but my love of drawing gradually led me toward scientific illustration. My work involves the meticulous documentation of artifacts — pottery, flint tools, and objects from archaeological sites, primarily in the Near East. It is a lesser-known discipline, one that demands precision, patience, and a genuine understanding of the material being drawn.
